About

Dylan Elliot

Hey, my name is Dylan, the engineer behind the company, and I've been working with audio for almost 4 years. I've come from a musical background, where I took up the drums and guitar when I was 13 years old. I became obsessed with composition and eventually bought Ableton Live 10 to write better music, which is where my passion for Mixing & Mastering began.

I am currently studying Music Technology at UWS in Paisley. I also spent 2 years studying Sound Production at NCL in Cumbernauld, where I learned much of what I know today. I have been a part of a diverse range of projects which include recording, mixing & mastering, podcast, spacial, restoration and live sound projects. I am also a Live Sound Engineer at King Tuts Wah Wah Hut in Glasgow, and have been working there part time since January 2025. Everything I have been a part of has given me a broad scope of experience in the audio industry and has allowed me to work with a great number of audio professionals.

Coming from a musical background, it is my main focus to enhance the emotional impact of your music, as well as establish clarity, balance and depth in the mix. If the audience who will be listening to your music are deeply moved by what they hear, then my job has been achieved!

Here are some of my business values:

Quality

The top of my priority list is the quality of my work. I guarantee industry-standard mixing and mastering that delivers clarity, depth, and balance, allowing your music sound its best. I will provide you with a high quality .wav mix/master which is ready to be released as is.

Affordable & Competitive Pricing

Getting your music out there comes completely out of your own pocket. That's why I want to provide clear, competitive rates, without hidden fees or extra charges to make your decision easier when choosing an engineer.

Quick Turnaround Times & Transparent Communication:

Waiting to get your music out there can be a frustrating aspect of being an artist/band, and several month-long emails back and fourth with a slow mixing engineer can turn the process into a nightmare. Getting a mix/master back to you as soon as possible as well as being clear during communication is very important to me.

Tailored To You

I allow for the artist/band to provide me with as much information about their vision for their music as they choose. Mixing/mastering is just as creative as it is corrective, and I want you to be driving the creative aspect. Whether it's a chorus that floats you on a cloud, a breakdown that slaps you in the face, a drumkit that is slammed with 30dBs of compression, or a vocal that has a delay with a 60-second delay time, your vision will always be in the finished product.

Competitive Material

An overlooked aspect in the success of a band/artist is the quality of the audio itself. It's true that your image and branding can drive your success, but if the music sounds underdeveloped, the journey to the top becomes near-impossible. I want to provide you with mixing/mastering that beats your competition with regard to the quality and loudness. I go slightly beyond the loudness standards of Spotify to give you a slight edge on other bands, and I test my mixes on a range of speakers and headphones to ensure your music is punchier, fuller, clearer, and more present that anything on the market.